《电视节目导演与制作》是2013年清华大学出版社出版的图书，作者是(美)伊万·克里。
细械岁们 内容提要
导演和制作多机位电视节目需要技巧、创新和详细的规划。本书为你提供了高效率地导演和制作电视节目的工具。本书以谈话式的风格，告诉你如何避似害罪系宽季许免落入常见的陷阱，以及如何创作出优秀的节目;同时每个章节还会提到相关的教学轶事。
本书讲述了针对多样化节目格式的关键制作技巧，包括小组访谈节目、演示类节目、音乐节目、商业广告来自、公共服务广告、新闻节目、纪录片、真人秀、远程播报以及体育节目等。撰写本书时，作者主要是站在导演和制片人的立场上去思360百科考的，但本书内容与电视导演最为相关。全书概述了电视节目制作所涉及的演播设施(演播室、控制室社川坚变和支持区域)，以及介入电视节目制作的各类工作和人员分工的细节。
本书还深入讲述了有脚本的节依发克击封倒阻财互危系目格式、节目制作的日程安排和节目内容流程，同时对隐于导演电视节目背后的板元别基本原则问题进行深度聚焦，使得本书成为电视导演初学者的完全手册。
编辑推荐
由克贵深具电视业界实践革要名态拉按经验和电视导演与制作执教经验的专家撰写。
易于理解的写作方房自边跑式，对这个高要求的电视产业进呀伤行了现实的审视。
延伸涵棉达盖了数字格式和新技术带来的新的工作流程。
提供了节目脚本、分镜头脚本、"铅笔练习"以及节目流程的范种例，真实再现实际操作过程。
配图展示摄像机位置设置和相应的镜头拍摄，举例说明了应对各类节目格式及相关挑战的最佳方法。
将电视节目制作前期、中期、后期各环节的实际操作归纳为一系列易于学习的节目格式，易于掌握。
提供了电视节目导演和制作的国际通行方法，对中国电视教学程材亚果轻电眼矛给胞写和实践与国际接轨颇有助益。
伊万·克里(Ivan Cury)，美国洛杉矶加利福尼亚州立大学(CSULA)传播系荣誉教授。曾工作于纽约WNET电视台和CBS，并作为自由电视业者在洛杉矶执导和制作大量节目，曾导演和制绝凯今命作大量广告片、情景喜剧、综艺节目、纪录片和日间电视剧，如《不安分的青春》(The Young and the Re红眼率完具stless);曾担任艾美奖和美国导演协会奖评委。进入CSULA工作之前曾在加利福尼亚大学洛杉矶分校(UCLA)执教11年。
目 录
第1章 导言
导演/制片人的工作 ·····························································1
电视节目格式 ·····································来自··········3
第一360百科种划分 ······························状东又破都富营华看形···········酸让··············3
第二种划分 ··················································4
所有节目格式的基本要求 ···········讲办医既福养··············获节何企································国作热吧死··6
比例缩放平面图 ···其许谁好························································6
交叉拍摄 ··························那命坐婷们方假还长然············获印般·····························14
180度法则 ···················································关转致案料众苦适孙属凯···········15
三分法 ·····················江合··············找承课并·························建就陆酸染至阳15
一些惯例 ··鲁回发后多载诗另映···············题思限交啊·······················································15
发明、创新和趋势 ·····破就似··························································16
新的惯例 ···的千良情亲··················牛架条征些极生套落金图·········································18
综述和教材规划 ······厚师热笔····························································19
本章小结 ·····························································20
第2章 演播设施
设施的组成部分 ···························································24
演播室 ····································24
控制室 ··········································································24
支持区 ····························································26
演播室 ·········································································27
地板 ···········································································27
墙壁 ············································································30
灯光架 ··········································31
电源插座 ·······································································34
电源线路 ···························································34
天花板 ·······················································34
控制室 ····························································35
音频装置:控制室 ············································35
视频装置 ·······························································37
演播室补充部分 ·································································40
摄像设备··························································40
音频设备········································································44
舞台设备 ·································································46
支持区 ····································································52
入口和大厅 ···················································52
办公区 ···································································52
休息室 ·······································································53
更衣室 ·································································53
化妆间 ········································································54
美发间 ······································································54
服装间 ···································································54
总控区 ·····································································55
录制区 ·····································································55
信号供给区 ·····························································56
资料室 ···································································56
电视电影区 ··································································57
图形区 ·····································································57
观众区 ····································································58
放映室 ····································································58
本章小结 ········································································59
第3章 人员
前期制作阶段 ······························································64
行政主管 ································································66
制片助理/节目助理 ······························································68
导演 ·····································································69
制片经理 ······································································69
运行人员/日程安排人员 ·················································70
工程人员 ·······································································74
会计师 ·····································································75
布景设计师 ······························································75
艺术指导/布景装饰师 ······················································77
灯光设计师 ··································································79
可选择的参加者 ·························································80
制作阶段 ·····································································83
接待员 ···································································84
演播室经理 ·····································································84
工程人员 ········································································84
舞台经理 ·································································89
舞台人员 ·································································90
喷绘人员 ··································································91
道具人员 ·································································92
灯光师 ·····································································92
演出人员 ······································································93
合唱队、临时演员、亲友、动物…… ······································93
图形师 ········································································93
化妆师和发型师 ·····················································94
后期制作阶段 ···································································95
客户主管/销售 ························································96
日程安排人员 ····································································96
接待员 ·································································97
资料员 ···································································97
运输 ·····································································97
编辑人员和编辑工作 ·····················································97
混音师 ···································································99
管理服务 ··································································99
本章小结 ··································································101
第4章 小组谈话节目
座位安排 ······································································106
座位安排与摄像机涵盖范围 ···············································109
主持人坐于末端的180度座位安排:优缺点 ·····································109
主持人坐于末端的180度座位安排的拍摄 ·····································111
主持人坐于中间的180度座位安排:优缺点 ······························111
主持人坐于中间的180度座位安排的拍摄 ·····································112
主持人被环绕的360度座位安排:优缺点 ·······································113
主持人被环绕的360度座位安排的拍摄 ·······································113
节目规程 ·····························································114
脚本格式 ····································································119
排练程序 ·····································································132
第1项 ····································································132
第2项 ·································································132
第3项 ·································································133
第4项 ·································································134
第5项 ································································134
第6项 ·····································································134
第7项 ·······························································134
第8项 ····································································135
第9项 ·································································135
第10项 ·········································································135
拍摄 ···········································································135
本章小结 ·······································································137
第5章 演示类节目格式
导演掌控 ······································································139
展示与讲解素材:创作指南 ···············································140
前期制作 ·····································································140
制作 ·······································································141
基于理念协调画面 ······························································141
创建节目规程 ··································································142
排练 ··········································································143
实际操作 ·······························································143
展示区域 ······································································145
演示过程 ····································································145
单机位演示类节目 ························································148
本章小结 ······································································149
第6章 有脚本的节目格式
电视剧 ···································································151
惯例 ·······································································155
平面图 ·································································157
分镜头脚本 ·····························································158
铅笔练习 ····································································161
标注舞台调度 ·························································162
标注摄像机 ··························································168
分镜头清单 ······························································176
排练室 ································································180
演播室走场 ····································································180
演播室预演 ······························································181
录制/直播 ···································································182
排练日程安排 ························································183
日间电视剧排练 ·······························································183
情景喜剧 ·······································································183
有乐谱的音乐 ··································································191
舞蹈脚本 ·····································································192
本章小结 ·····································································193
第7章 音乐节目
前期制作 ·······································································197
节目规程注意事项 ·······················································202
前期制作:排练 ·································································207
前期制作:排练厅 ·························································207
录制步骤 ··································································216
音频 ·································································216
视频 ·····································································216
分镜头清单 ······························································218
外景地拍摄日程表 ·························································219
资料镜头 ····································································222
音乐资料库 ····································································222
视频资料库 ···································································222
未入库素材 ······························································223
基本拍摄概念 ·························································223
制作 ·······························································229
电视演播室排练和制作 ····················································229
摄像机布置 ······························································233
制作排练 ·····························································234
编辑 ··································································240
本章小结 ···························································241
第8章 商业广告和公共服务广告
相同点和不同点 ·························································245
前期制作 ·································································247
成本分析 ······························································252
专用装置 ·························································254
静物台 ·································································254
柔光帐 ····································································254
运动图像控制 ························································254
动画 ································································255
制作 ···········································································256
拍摄 ···································································257
拍摄步骤 ······································································257
多机位拍摄 ····································································260
加拍镜头以及收工 ······························································261
后期制作 ·······································································262
本章小结 ······································································263
第9章 新闻节目
新闻节目特征 ··································································267
前期制作 ··································································268
导演 ·······································································268
制片人 ·······································································271
规程和流程 ····························································274
制作/发布 ······························································280
制片人:播出 ···································································280
导演 ····································································281
本章小结 ······································································281
第10章 纪录片和真人秀节目
背景 ······································································285
理念 ··········································································287
格式 ·······································································288
前期制作、制作和后期制作 ·················································291
纪录片制作计划 ···························································293
拍摄 ·································································295
浏览 ·································································299
编辑 ···································································300
一份蒙太奇的制作日志 ··················································303
真人秀节目 ································································309
本章小结 ···································································312
第11章 多机位远程节目
基础知识 ······································································318
转播车 ·········································································319
"导演的玩具" ···································································322
摇臂和升降机 ··································································323
摇臂 ······································································323
升降机 ······································································323
技术手册 ·····································································326
表演节目:音乐会、戏剧和表演事件 ················································329
舞台 ··········································································329
灯光和声音 ····································································330
流行音乐节目:摇滚乐、乡村音乐和爵士乐 ··········································330
古典音乐节目 ··································································335
体育赛事:最真实的节目 ·························································337
180度法则 ·····································································337
交叉拍摄 ·······································································338
摄像机的位置 ··································································338
线性体育赛事 ···································································339
环形体育赛事 ··································································339
硬件设备 ·······································································340
工作人员 ······································································340
导演 ··········································································341
制片人 ······································································341
场地体育赛事 ··························································341
比赛规则 ······························································342
新闻和纪录性事件 ·····················································342
前期制作 ··································································344
制作 ···································································346
后期制作 ·······························································346
本章小结 ······················································346
附录1 脚本格式化 ·······················································349
附录2 资源和求职 ·······················································355
专业术语和词汇表 ·····················································359
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